Lonely son of a Canadian preacher man Michael builds the first professional wrestling company in faraway Finland. Young transsexual wrestler Jessica infiltrates into the company contesting Michael both physically and ideologically. Anger and frustration get to Michael who is now 40 years old still looking for companion. He is looking for love, but first must learn not to hate. As Michael finds true love online he redefines his values, and reinvents himself as a wrestler in love.
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Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 – and the backgrounds of those making decisions – immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.
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On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.
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After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.