Having abandoned modern civilization, Ryoichi lives an isolated, self-sufficient life on a snow-covered mountain and sends mail bombs to the CEOs of corporations and TV networks. One day, he encounters a mysterious creature in the forest. That night, his older brother, who had committed suicide, appears before him at his cabin. The apparition takes Ryoichi beyond a door, where Ryoichi learns the truth about his family.
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Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
Ian Folivor, a depressed and reclusive 30-something, finds himself taking advice from a growth in his bathroom after a failed suicide attempt. The Mold, a smooth talking fungus who was born of the filth collecting in a corner of Ian’s neglected bathroom, works to win Ian’s trust by helping him clean himself up and remodel his lifestyle. With The Mold’s help, Ian attracts the attention of a neighbor he’s been ogling through his peephole, Leah, and he manages to find a slice of happiness despite his unnatural circumstances. But Ian starts to receive strange messages from his old and broken down TV set that make him realize that The Mold may not be as helpful as it seems to be, and strange characters combined with stranger events cast Ian’s life in the shadow of an epic battle between good and evil that Ian is only partially aware of.
A child’s Sunday School Bible. A broken relationship between an adopted daughter and her parents that spans 25 years. A mother who only wants to forgive – and be forgiven. On her death bed, Abigail asks her husband Steven to find their estranged daughter, forgive her and ask her forgiveness. Steven makes the journey from Kentucky to California to fulfill that wish – and to give his adopted daughter the Bible she left behind so many years ago. Along the way, Joseph meets a mysterious hitchhiker who may very well hold the secret of the journey’s end. On the way, we learn that every journey needs a guide and that Steven will be “Guided by the Word.”
Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human’s, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn’t see why.
On a star-filled night, homeless Thomas seeks warm shelter. Still grieving his late wife, ruined and desperate, he comes across a vast house with the lights on and an inviting open front door. But the next morning, the premises will not let him leave. Destiny has brought Thomas to this place and now he must survive a very personal ordeal. For what appeared a safe haven turns out to be something far more malevolent. From Arrow in The Head blogger, writer and director John Fallon, a psychological horror show tapping into fears of the mind, body and soul.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall – London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Akaash Vani is a romance film directed by Luv Ranjan, and produced by Kumar Mangat Pathak and Abhishek Pathak under the banner Wide Frame Pictures. After the cult hit Pyaar Ka Punchnama, AkaashVani is the second film from this producer-director duo.
Loosely based on the Charles Dickens’ classic novel, “Great Expectations” is a sensual tale of a young man’s unforgettable passage into manhood, and the three individuals who will undeniably change his life forever. Through the surprising interactions of these vivid characters, “Great Expectations” takes a unique and contemporary look at life’s great coincidences.