Air Sex: The Movie is a documentary about the American social phenomenon known as The Air Sex Championships. Think Air Guitar, but instead of pretending to play a musical instrument, participants pretend to have sexual encounters with an imaginary partner (or partners). Entering its sixth year as a nationally touring roadshow, and billed as the world’s first “spart,” Air Sex combines the pageantry and prestige of sports with the creative arts of storytelling, pantomiming, and improvisation. Directed by Jonathan Evans (Sunken City), the film follows Air Sex tour producer/host, New Orleans comedian Chris Trew (America’s Got Talent, Comedy Central), as he attempts to convince crowds of excited, confused, and inebriated audience members to sign up and become part of the bizarre spectacle.
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“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.
Follow three professional video game players as they overcome personal adversity, family pressures, and the realities of life to compete in a $1,000,000 tournament that could change their lives forever.
This is a David and Goliath story of one veterinarian’s battle to protect her patients (tigers, lions and even house cats) from big corporations, with their big corporate money, that will shamelessly do anything to animals to increase their bottom line. She starts a grassroots movement that is fueled by passion, but appears to be losing the battle. Then, unexpectedly, she realizes that the corporations accidentally left her a giant loophole. In a scramble to take advantage of this unforeseen gift, she leads the crusade passing legislation protecting animals from de-clawing in seven cities in just six weeks.
Ginger Baker is known for playing in Cream and Blind Faith, but the world’s greatest drummer didn’t hit his stride until 1972, when he arrived in Nigeria and discovered Fela Kuti’s Afrobeat. After leaving Nigeria, Ginger returned to his pattern of drug-induced self-destruction, and countless groundbreaking musical works, eventually settling in South Africa, where the 73-year-old lives with his young bride and 39 polo ponies. This documentary includes interviews with Eric Clapton, Steve Winwood, Carlos Santana and more. Beware of Mr. Baker! With every smash of the drum is a man smashing his way through life.
It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.
An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.