Alex’s dreary life is reignited when he meets Rachel, the woman of his dreams. The only thing that stands in the way of their perfect, serendipitous relationship is that Rachel has recently passed away.
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Standing on the edge of adulthood, Andrew yearns to find his purpose as a young African-American in today’s America. With his mother longing to find more to her life then parenting, Andrew is forced to take on the mounting pressure of family responsibility. His search for connection with an absent father, leads him to a dangerous crossroads.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.
Two romantically-engaged corporate spies team up to manipulate a corporate race to corner the market on a medical innovation that will reap huge profits and enable them to lead an extravagant lifestyle together.
Maryann moves in with her grandparents after she’s orphaned. Desperately lonely, she sets out to befriend a neighboring deathly ill, bed-ridden boy, despite the outright disapproval of his mother. Maryann’s persistence pays off, however, and during a series of secret visits she gradually uncovers some seriously sinister goings-on in the house.
1983 Burt Reynolds version — This is the tale of a sculptor named David who has a major womanizing problem. He goes to seek help from a psychiatrist, Marianna, to cure him of his obsession with women. His story of sexual and romantic exploits with the ladies is told by Marianna.