José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.
Cinema Novo is a movie-essay that investigates poetically the most important movement of Latin America cinema, through the thoughts of its main auteurs: Nelson Pereira dos Santos, Glauber Rocha, Leon Hirszman, Joaquim Pedro de Andrade, Ruy Guerra, Walter Lima Jr., Paulo César Saraceni, among others.
In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.
The movie tells the story of Laerte (Lázaro Ramos), a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world
Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.
Authorized biopic of Brazilian evangelical bishop Edir Macedo, founder of the Universal Church of the Kingdom of God and owner of Record TV network. Based on a book trilogy of the same name, the movie tells the story of the self-made man who faced several moments of turbulence while pursuing his conviction.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife’s niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Ultimate Beastmaster is an upcoming competition reality show that is set to premiere on Netflix on February 24, 2017. The show will consist of 10 episodes which will be released simultaneously on Netflix worldwide
Dean and Sal are the portrait of the Beat Generation. Their search for “It” results in a fast paced, energetic roller coaster ride with highs and lows throughout the U.S.
In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another.
After 39 years together, Ben and George finally tie the knot, but George loses his job as a result, and the newlyweds must sell their New York apartment and live apart, relying on friends and family to make ends meet.
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing.
Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.
Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a homosexual, is found guilty of immoral behaviour and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he’s in. During the time they spend together, the two men come to understand and respect one another.
Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe. Sublime images, which alternate with a less idyllic reality: the hard work amidst the cows. Jointly they form a fabulous choreography, against the background of a rapidly changing society.
As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his ‘casa grande’ – not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.